irish dance dress – the long way round

The making of this dress was epic and not in any good way.  I hadn’t realised how lucky I got with the last dress until I was in the thick of this one,

Last June, red was the chosen colour and I tried out some threads on it. The original motifs looked stronger in white (agapanthus leaf) however  Donna (niece/dancer) seemed to like the idea of a celtic motif and I got this one from Embroidery Library.  I had trouble with it from the start and could not get the outlines to work but as it was ‘voted’ a favourite with the outlines, I had to go with it. I tweaked it a bit to get it to fit in.  I figured I could make a simple collar out of ovals and crystal bling-stones could be set into them.  I was not overly enamoured with the whites as I tried out some more samples – then changed to some yellows oranges and reds and it all looked so much better, and it was the last week of August!  I was confident in the pattern as the dress I had made last time still fitted well so I could use the same pattern – my niece however had grown 5 inches!!!! and is no longer 5’3″ but nearer 5’8″,

1 embroidery testing

a mix of embroidery sampling – the lower LHS has a yellow outline on white in the middle  as a trial….

So once the colours were figured, I raced on ahead and the bulk of the embroidery took 7 days – except for the neckline which I ‘designed’ on the Sierra Software – which turned out to be easier this time than the last time as they had a software update.  However the skirt didn’t work like I had anticipated.   Donna had wanted a stiff stand out skirt and I was unsure on how the ‘classic’ one was constructured and the way I figured I would do it didn’t work – and I never did a ‘toile’ so was working on the real fabric all along.

And then after sending some pictures of the embroidery front –  Lisa/dance teacher asked for some changes to the centre front embroideries after I sent on some rough photos – she (rightly) felt the centre front needed definition and could I do an outline in lemon….after the lower bodice was cut

Irish Dance Dress Construction

initial pinnings

I was flumoxed and took a few days to figure what to do and took a break.

The Skirt – I did locate a pattern called guna rince and it seemed like the answer – which it was in part.  It had a pattern and instruction for the underskirt and corresponding overskirt.  I ordered it.  The pattern was what I needed but as the fashion here is for a shorter skirt longer bodice I adapted it a bit by shortening the skirt, and also had to tweak it so it would accommodate the cut skirt I had done.  I used Vilene S80 on the stiff underskirt, and basted interlining of sew-in heavier vilene M12 to the back and a double layer of vilene M12 on the front skirt.

3 construction Irish Dance Dress

The top LHS is the right panel of the back of the dress – the ‘fashion’ here now is no cape/braith at the back but to heavily embroider it in an ‘unexpected’ colour with less bling

The additional embroidery – The issue with the outline was that its not easy to fit in another embroidery after the fact and I did digitize a line on the Sierra software and kinda lined it up.  The difficulty for me is that the hoop on my machine is 150x230cm so the centre front motif took 3 hoopings originally and the outline took 4 and the fabric was pretty stressed by the time, I also figured covering the spaces with some bling would conceal.

The long way and the wrong way

So in all it took 5-8 weeks – the first 2 weeks of August I was only dabbling, and the last week of August I did most of the embroidery. Most of the dress construction was done in the last 2 weeks of September.  It was all rather stressful, as for a while it seemed everything that could go wrong did,   The bobbin tension of the machine was not great throughout, and I had to keep an eye on it.  I am still not sure what went wrong but it got half fixed with changing threads, dusting after each embroidery, and John in the Singer Centre Waterford posted up a new case (which still has not fixed it but helped a lot).  I bought the machine off him originally and cannot recommend him highly enough.  They really offer a great service there, and just plain lovely to deal with

I was also running out of embroidery thread a lot faster than I thought (there were over 600,000 stitches) so had to get WM Trimmings in Dublin  to post extra down from Dublin – They really are a wonderful shop – and both times I phoned lunchtime, and the thread arrived in the post the following morning! (local fabric shop does not carry the shades or the larger spools of thread).

Hindsight

should have made a toile – are these the ‘not so famous last words’?  as I hadn’t realised that the new fashion amongst Irish dancers here is a much shorter skirt (about 4 or 5″ from centre V)   and longer bodice – and I should have added 1.5″ more to the bodice length- my skirt length is 6″.  The dress pictures Donna had sent that she liked had a mix of skirt lengths and she never pointed out specifically till the end about the length.  It was not a deal breaker as the main request was a stiffer skirt.

Verdict 

I was so relieved when Donna tried it on.   when I saw her moving/walking around in it the hang and movement of it was good – and she seemed to move well/confidently in it – although I could swear she grew another inch since the beginning of the summer.  Lisa (Dance Teacher) has given her seal of approval so all good.

 

The Bling

My Sister, Eithne, is brilliant with the bling – I really don’t know where to start – or end.  She tells me it’s because she goes to so many feis’s (competitions) but I really think its more than that.  Luckily she will bling it – and hopefully I will have a competition dress photo soon!

meanwhile – here are some photos from when we were trying out different stones

4 bling

The Cost

The cost of dresses can run into about €2200 and the costs of this dress without bling ran to about €250 which included – I bought 5m of fabric and I have 1 m left over.  I could have bought less originally but I did need some to sample and am happier to have 1m left as this wa

  1. Fabric and lining – 80
  2. embroidery designs approx – 30
  3. threads approx –  approx 60-80 (yes really!!! )
  4. vilenes and stabelizer  – 40 (I did get too much
  5. machine needles – 5
  6. zip and bias binding – 10
  7. pattern – 40

The bling will cost about €150-200

What now

I am going to toile the Guna Rince pattern as when I compared the two – mine has a higher armhole and different darts so I am curious to the fit – and I also want to get a better pattern for the next dress and figure the shorter skirt long bodice.  I happen to have a cream fabric here that could work as an alternative and work on it slowly over the next few months – but as cream is not a good stage colour I will see if it mixes well with jade? but as one dress is done, there is less pressure now.

I am also keeping the embroidery machine out for the moment – as in order to keep my sanity with the dance dress, I started a side project of another coat so half way through that – and seems to be going to plan…….seems to be

The Finished Dress 

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toasty sweaters and plaid skirt

 

I have been sewing quite a bit lately, and as I am easier sewing than writing about it,  I am only getting around to this post now…..(I never liked writing in school – I can touch type, but the minute I start I seem to forget what I meant to say.) Conversely,  this blog has been brilliant for me to have a focus my sewing projects – so I have grouped the last few completed sews!

As usual, my great sewing plan is shifting, which is usual, as sometimes when I take apart items there is less fabric than anticipated (ie what worked out perfectly on paper is compromised in reality).

The first for remake was this fine wool dress.  This dress was on the clearance rail in the charity shop (still can never believe what ends up on this rail).  The dress would have worked perfectly if it was either 1983, or I still had a 23″ waist, and as neither was true, I thought to try out the SewHouse7 Toaster Sweater.  The only cut issue was the sleeves, but I figured I could cut them and sew with minimum seam allowance so I trimed half the seam allowance from the armholes of the arm-scythes also, and I would also have to leave the plackets in place on the sleeves until the end.

purple-toast - sweater upcycle

I don’t know if this is the same for everyone, but sometimes I will sew like its a race to finish…..and not try on till the end (how bright is that) so all was well until I tried it on pre-hemming, and noticed that a sleeve was in backwards….. the placket was the wrong way, but I also noticed the funnel didn’t sit up at all as the knit was so fine, and it was inclined to stretch across, so I decided to pop some iron-on vilene to the neckline facings.  The sleeves are very long so I just hemmed them and put a button to stitch a ‘closure’.  The hems are a herring bone stitch, I tried a few and this one seemed to look best on the fabric.

I was curious how it would look on a heavier fabric, and had been dithering over the re-make of this bobble wool cardigan. It was a cardigan coat which was donated to the charity shop without its collar (poppers for it still in place) and had been much used so it was a bit pilled, a bit pulled and had a few holes.  It is 75% wool and the fabric was still in mainly good shape, despite dragged buttonholes!

bobble-toastOriginally it was to be a simple sleeved a-line shift with patch pockets based on a tunic pattern from 2 years ago, but I wasn’t happy with the way how it would  cut out and patched together.  Luckily I left it fro a day or two as I decided to try the toast pattern again.  Realistically I don’t need this many sweaters, so I was also deciding on who to try and give them to (still working on this) but I also really like these sweaters.  I was well glad I didn’t do the tunic as there would have been too many seams and the bobbles in the fabric shift a bit while sewing.  Toast#2 worked out well with the heavy fabric, both sweaters are lovely and incredibly quick to run up.

And there is fabric left over from both! I am thinking of a tablet sleeve from the bobble leftovers.

I had also ‘pulled’ out the embroidery arm of the machine as I have to do some Irish dance costume tests, so I started messing about with motifs and what else it does.. (and then got even more way-laid by embroidering tea-towels – housewarming gift to a wine sommelier! I have put the photos below).

embroidered tea towels.............

The scallop skirt I made last year I love, but the grey feels a bit severe and ‘work-y’ so I gave it to my sister (so far a hit).  I had this plaid scrap.  Its a funny plaid, originally I thought it was from an old school uniform, but the wool is such a fine quality, I now don’t think so.  It was from a bundle of wool scrap in the charity shop and ther was less than a metre with two chunks missing.  I patched it back together and cut the pattern out.  I did embroidery on the skirt but I really wasn’t sure of what I wanted or what way it would turn out, but I also knew thinking about it would not achieve much either.  Its done now and not what I wanted.  Originally I was going to pattern the motif but changed to a more concentrated motif.  I shoulda / coulda done a more grid or linear one, and think I would have preferred that, but am quite happy with this.  I love the simple shape of the skirt.  Such an effective pattern.

 

plaid-scallop-skirt

 

and finally – I got a new shears! (yipeeeee) The small Janome set I have are still good despite the taped handle, and not retired just yet.   I have been trying to buy a proper shears for some years but never found one I liked that cut right and felt right.  When I saw Ernest and Wright were to be at the Knit and Stitch this year, I hi-tailed it up and bought this…. and 2 other smaller fancy ones (I could have bought everything!).  I had dithered between the 12 and 10inch but as my cutting table is small (160cmx90cm) and my cuts are small (ie, not long lays of fabric) so I would be lifting the scissors more, I settled on the 10inch (which is realistically a better weight for me).  Its gorgeous and incredibly comfortable and love using it.  My brother in law saw it later that day, and called it a ‘colt 45’….. (I was feeling very smug indeed).

Claires Scissors and the Colt 45

 

 

 

 

 

so thats what SWAP means –

Bitty plans have never been a favourite place of mine, and currently my work room is full of them – the chaos annoys me.  The embroidery machine is set up as I am planning an Irish dancing waistcoat for my nephew and trying to figure how to get the design digitised.  My nieces class costume (‘traditional’ Irish dance dress that is worn in group dances) had to be altered and now done and sits at the back of the door – it was an interesting one as the dress has been through a lot of dancers and altered each time (one side seam is an inch out), however it is still hanging in there, and my lengthening of the skirt is just another in the chain.   A half finished coat sits on the mannequin with the paper pattern for the lining pinned on top.  The work table has an upcycle embroidery idea for a one-euro top (photo finish below), and I have a  plaid skirt taken apart and knit cardigan project sitting waiting to start……..

class-costume

The Irish dancing waistcoat did throw things off a bit as it was a recent ask, and I want it out of the way so I can focus on the other pieces.  However, as I pulled the embroidery machine extension out, it was a good time to stitch up other samples as I want to add some embellishment to a few pieces .

While trying to see if I could get a textured black and or black velvet in the charity shops for the waistcoat and embroidery sampling, I did get this little black top for a euro in the ‘clearance’.  I was going to use it for the waistcoat sampling but the pile is not that deep and as the cut of it is rather cute, I thought I would do some embroidery on it…….and I am rather fascinated by Susanne Bisovsky so I did this motif

embroidery4

So admist the chaos – I have also put my sewing ‘plan’ on the wall (I also just figured with the help of google what this SWAP is in sewing blogs today……………..) – so once the Irish dancing stuff is ‘one the way’ I can get around to including these………….(edit – SWAP Sewing with a Plan….. )

winter 2016 sewing plans

  1.  the red coat – it will be a basic re-cut of a raglan sleeve coat
  2. black bobble a-line dress – this will be made from a cardigan coat – which I hope sews according to plan
  3. vogue top and cigarette pants – I will see if I can pick up black pants in the charity shop to re-cut using my pattern as I have gotten so much wear from the denim ones
  4. purple tunic and skirt – I will remake these from a purple suit…. not in a hurry to make these for a while – these have moved to bottom of list for the moment
  5. sew house seven sweater and plaid skirts – I have a sweater dress and hope to make the toasty sew house seven sweater – and some plaid which I embroidering
  6. vogue blouse 7789 peasant style – I hope I have sufficient fabric for this
  7. a crochet sweater…….I have a pattern
  8. another crochet sweater without a pattern

Now I wonder how much of this plan will go accordingly………………….